Valerie S. Goodwin R.A. is an architect and artist who creates fiber art inspired by realistic and abstract imagery of maps. Her work is noted for its use of color, emphasis, and line and density.
We look forward to welcoming Valerie to the Hudson River Valley Fiber Arts Workshops December 4 to 10, 2016: she will teach The Complex Composition Workshop, using techniques of collage, layering, transparency, and improvisation.
How long have you been teaching and what got you started teaching?
I have been teaching architectural design for about 22 years and fiber art workshops for over 10 years. I think both go hand in hand and inform each other. I got interested in quilting through teaching architecture when I read an article about how a faculty member used traditional quilting blocks as a way to start designing a floor plan, in this case it was a Museum for Quilts. Long story short — the idea launched my interest in fiber art.
What is your favorite part about teaching?
My favorite part is that “light bulb” moment! You know when you see that a student appreciates and gets what you are teaching.
What would you tell your prospective students are three best reasons for taking a workshop?
First of all my courses stress “design thinking”. I want every student to develop their own work in their own voice. My goal is not to create “mini-me’s”.
Secondly, teach the techniques first, so each student can focus on the design after they have experience with the how-to portion of my workshops.
I have over 20 years of experience teaching design and conducting critiques. I love to provide feedback and critique! But I do it in a nurturing way. My goal is to help each student clarify their design intent and I try to give my critique through that lens.
What are you currently working on in your own art?
Lately I have been experimenting with using laser cutting technology in my work. You can read more about it in an upcoming article that I wrote for the SAQA journal. I am still passion about creating fiber art maps but, from a new and exciting perspective.
Is your work represented in galleries, and if so, what hints would you give to artists looking for gallery representation?
My work is in many private collections but I do not currently have gallery representation. This is something I would like to pursue one day when I retire from university teaching and have time to create more work and to promote myself.
Do you sell your work in any online gallery?
Yes, I have work on Artful Homes.
What is your favorite art quote?
When an architect (artist) is asked what his best building (work of art) is, he (she) usually answers, “The next one.” – Emilio Ambasz
Describe your studio.
My studio is in a funky artist warehouse district located next to the city’s railroad track and positioned between 2 university districts. It is my oasis, a place where I can get away from it all and just CREATE! An added benefit is that I share it with another artist. It is a great way to bond with another artist and learn from another artistic point of view.
Name five of your “can’t do without” tools/products.
In no particular order:
Epilogue Laser Cutter
Acrylic Paint + Fabric Medium