January 31, 2018

One of our most popular workshops each year we can get her is with artist Patti Mollica! Leading up to her 3-day Bold, Brilliant, & Fearless Painting workshop from July 28-August 1, Patti took a moment to give us a bit more information on her background, teaching, and approach to art.

Q: What’s been your most unexpected source of inspiration?
PM: When I moved to NYC in 1992, it was such a visually exciting experience, I’ve been inspired to draw and paint it ever since.

Q: How has teaching impacted your personal art practice? And vice versa, how does your approach to your personal art impact your teaching style?
PM: In order to teach effectively, I have to be clear and articulate on my process, and be solid in my understanding of the foundational blocks — values, color and brushwork. Teaching has facilitated my own understanding and artistic development in these all-important areas. There are basic reasons why a painting works or doesn’t work. Being able to analyze the strength or weakness of a painting based on it’s foundational underpinning is the key to creating more consistently successful work. In my own personal art there is a continual flow of new artistic discoveries and creative exploration. I’m curious and intrigued by various styles and techniques, which factors into my being very open-minded in my teaching style, and my appreciation for interesting artistic approaches.

Q: What’s one tip you have or trick you use for keeping your studio space organized?
PM: I have to continually organize to keep my space neat so that if an idea or technique crosses my mind while I am painting, I can put my hands right on whatever tool or material I need. At the end of a day’s painting session, I clean up thoroughly before starting in again the next day. All my materials are stored in labeled shelves and boxes. Its pretty organized, and the only way I can work.

Q: Who are your art heros? Who do you admire and why?
PM: I was lucky enough to have had the opportunity to take a workshop with Charles Sovek, whose no-nonsense approach to composition and simplification influenced me. I also studied with Ken Auster, master of urban landscapes using a very painterly style. My all time favorite is probably Joaquin Sorolla, for his strong compositions, draftsmanship and brilliant use of color.

Q: What exciting projects are you working on right now or big dream projects you would love to begin exploring?
PM: I’ve recently moved into a larger studio space which will allow me to do a series of larger urban landscapes, which will be a blend between abstract and representational. I’ve already worked out the small studies for the series, and am excited to jump in with larger brushes and more paint! 

Learn more about Patti’s workshop with us here.
Find out more about Patti on her website and give her a follow on Facebook, Instagram, & Twitter.